Gerrit Rietveld Red And Blue Chair Dimensions

This iconic chair represents one of the first explorations in three dimensions by the de stijl art movement. Rietveld later produced versions that were painted or stained black or white. It was not until 1923 when inspired by the work of fellow dutchman piet mondrian that he painted it red blue yellow and black.

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Lacquered plywood red and blue armchair with blue red yellow and black paint.

Gerrit rietveld red and blue chair dimensions.

But as i was working on the chair it never crossed my mind that one day it would become so significant that it would even influence architecture gerrit rietveld about the red and blue chair. Rietveld designed his famous red and blue chair in 1917. Download red and blue chair 3d model. Designed and built in 1918 the original was made from unstained beech.

In the red blue chair rietveld manipulated rectilinear volumes and examined the interaction of vertical and horizontal planes much as he did in his architecture. Rietveld produced his first prototypes in 1918. In the red blue chair rietveld manipulated rectilinear volumes and examined the interaction of vertical and horizontal planes in much the same way as he did in his architecture although the chair was originally designed in 1918 its color scheme of primary colors red yellow blue plus black so closely associated with the dutch de stijl art and architecture movement was applied around 1923. H 34 3 4 d 32 3 4 w 26 materials.

It was gerrit rietveld s iconic red blue chair. A sculptural seat with a pure and rationalist form this chair became an authentic manifesto for neoplasticism embraced by the dutch de stijl movement in 1917. The red and blue chair is a chair designed in 1917 by gerrit rietveld it represents one of the first explorations by the de stijl art movement in three dimensions. Although the chair was originally designed in 1918 its color scheme of primary colors red yellow blue plus black so closely associated with the de stijl group and its most famous theorist.

An outlook shared by piet mondrian whose objective was to seek out the essential nature of things combined with the harmonious equivalence of colours and the use of right angle. Initially made in plain beech wood the design was deliberately kept as simple as possible because rietveld wanted it to be mass produced rather than crafted by hand.

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